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2016 On line publication

Sous la direction de Christine Lancestremère, Jean-Marc Hofman et Yves Le Fur
Le moulage. Pratiques historiques et regards contemporains

Júlia Papp – Benedetta Chiesi (eds.):

John Brampton Philpot’s photographs of fictile ivory. Budapest, 2016.


2015

Cast Collections of the University of Tartu Art Museum
Jaanika Anderson, Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) (DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS, 7), University of Tartu Press, 2015.
ISSN 1406-8192 ISBN 978-9949-32-768-3 (print) ISBN 978-9949-32-769-0 (pdf).

The present work examines the development of the University Tartu Art Museum as visual teaching material and its academic output during the 19th century and the beginning of the 20th century. The thesis is written on the basis of the sculpture, gem and coin cast collections of the University of Tartu Art Museum, but contextualized in the process of the dissemination of cultural ideas and scientific questions in Europe.

Info and Contact Jaanika Anderson


2014

Actes du colloque de Possagno (2012) : CASE e MUSEI DI SCULTORI
Nel corso di questi anni sono stati organizzati tre Convegni Internazionali sulle Gipsoteche (2006, 2008, 2012) dove si è potuto approfondire la conoscenza e l'esperienza relativa alla conservazione ed al restauro di sculture in gesso e la conoscenza di molti Ateliers di scultori.
Gli atti dell terzo convegno sono pubblicati : ATTI


2014

Alexandre Mascarenhas, ANTONIO FRANCISCO LISBOA: Moldagens de gesso como instrumento de preservaçao da sua obra e o processo construtivo nas officinas de escultura em Portugal a partir do século XVIII.
Este livro, patrocinado pelo IPHAN, faz parte das celebrações dos 200 anos de morte de Antônio Francisco Lisboa, “O Aleijadinho”. Apresenta informações históricas, teóricas e práticas envolvidas na proteção, preservação e perpetuação da obra de Antônio Francisco Lisboa, por meio dos moldes e moldagens confeccionados a partir da década de 1930. Discorre sobre a história e a origem das coleções de gesso; do desenvolvimento do uso da técnica dos moldes e moldagens ao longo dos séculos e de sua importância na história da arte e da arquitetura; do profissional do gesso (o artífice e as oficinas) com ênfase nos escultores luso-brasileiros a partir do século XVIII; do processo escultórico e da importância das instituições acadêmicas e museológicas que abrigam reproduções em seu acervo. As moldagens em gesso eram utilizadas como fonte de inspiração e como material de estudo e treinamento para os alunos de desenho e escultura, assim como para os artistas e seus aprendizes/oficiais. Tais práticas, consequentemente, contribuíram para a disseminação e preservação deste ofício, sobretudo da obra de Aleijadinho. Apresentamos material gráfico inédito de alguns catálogos de esculturas e ornamentações em gesso que eram comercializados na Europa e no Brasil. Em especial, as informações teóricas e experimentais abordadas neste livro irão encontrar um campo vasto de aplicações na prática, entre profissionais da área do restauro e da escultura, assim como das instituições acolhedoras destes acervos.


Editora : FINO TRAÇO EDITORA
ISBN : 8580542316
ISBN13 :9788580542318
Páginas : 292
Publicação:2014 1 º Edição


2014

Actes du colloque de Valladolid (2013)
« Depuis l’Antiquité, le dialogue entre copie et invention a traversé sans cesse le domaine des arts, en particulier celui de la sculpture. Le congrès de Valladolid, organisé en 2013 par la directrice du Museo Nacional de Escultura, Maria Bolaños, a offert des débats et une réflexion sur ce phénomène ouvrant un angle très important pour connaître des aspects essentiels de l’histoire, la transmission et le progrès de l’art. Les actes qui viennent de paraître réunissent les textes des contributions principales ainsi qu’une CD avec une vaste série de communications supplémentaires ».
Annonce & programme

2014

Gypsa.
M. E. Micheli, A. Santucci (a cura di), Gypsa. Atti delle Giornate di studio (Urbino, 22-23 marzo 2012)

Tomas Lochman, Il vantaggio del gesso: le ricostruzioni scultoree di Ernst Berger nella Skulpturhalle di Basilea (1964-1992).
Carlo Gasparri, Del buon e del cattivo uso dei gessi nello studio della scultura antica.
Andrea Felice, La forma buona: un bene prezioso.
Maria Elisa Micheli, In margine alla fortuna della Iuno Ludovisi.
Maria Grazia Picozzi, Integrazioni, derestauri, calchi: il caso del “Diomede Valentini.
Anna Santucci, Visti da vicino: l’Amazzone del tipo Mattei e il Gruppo del Laocoonte nel Museo dei Gessi di Urbino.
Fulvia Donati, “La battaglia dei calchi”. Problemi di ieri e di oggi nella Gipsoteca di Arte Antica dell'Università di Pisa.
Mario Guderzo, Una gipsoteca per il mondo: il Museo di Antonio Canova.
Aldo Grassini, La copia nell’arte: trappola per gli sciocchi o specchio della verità ?


Edit.ETS Pisa 2014. 190 pages.
ISBN-10: 8846739469
ISBN-13: 978-8846739469
Indice e Premessa

2014

Violeta Montolíu Soler y Roberto Amador Moscardó, Joselito and Benlliure. Historical - artistic Memória and restoration of the original model in plaster for the funeral monument to the bullfighter Jose Gomez Ortega Mariano Benlliure Gil's "Joselito", realized between 1920 and 1926.
Ed. Generalitat Valenciana, 2012. ISBN: 978-84-482-5801-6

Abstract:
In 2012 the original plaster model of the Mausoleum of Joselito made by Mariano Benlliure between 1920 and 1926 was restored. The restoration has been used to reassess the work, make it known to the public and, most importantly, to ensure its preservation. The latest plaster restoration methodologies and the experience of the team of restorers led by Roberto Amador Moscardó have made possible the realization of this great project with amazing results. The entrepreneurial and informative spirit of the IVC + R run by Carmen Pérez García decided to publish this book to make known the systems of work and achievements during the laborious and complex restoration of one of the largest plaster models preserved in Spain.




2014

Charlotte Schreiter, Antike um jeden Preis. Gipsabgüsse und Kopien antiker Plastik am Ende des 18. Jahrhunderts.
[Antique at any price. Casts and copies of Antique sculptures at the close of the Eighteenth Century] Series:Transformationen der Antike 29
Ed. EBOOK (PDF) De Gruyter

After the Seven Years’ War, plaster casts and copies of ancient sculptures were produced and sold in Germany on a scale never seen before. This study offers insight into the acquisition and production of and tradein plaster casts and copies of antique sculptures during this period.
Optional fileInhaltsverzeichnis.pdf

2014

John Brampton Philpot's photographs of fictile ivory in the Hungarian National Museum
by Júlia Papp
Institute for Art History, Research Centre for the Humanities, Hungarian Academy of Sciences, Budapest.
in RIHA Journal 0091 | 25 June 2014 - Online


Abstract
In the Archeological Archives of the Hungarian National Museum you can find a series of photographs depicting fictile ivory. Made up of 265 items, the series were produced by John Brampton Philpot, born in the UK and settled in Florence in the middle of the 19th century, then donated to the museum by Ferenc Pulszky in 1868. Turned to exile in 1849, Pulszky inherited his belated uncle's valuable ivory collection, which was exhibited in London in 1853. Since technologies, which made it possible for sensitive artefacts to be reproduced without any damage done to the original, had become available by that time, upon request of his colleagues at South Kensington Museum, Pulszky gave authorization for the reproduction of his ivory collection. In 1863 Pulszky started to live in Florence, where he got into professional contact with Philpot and is likely to have been instrumental in the making of the above photo series of fictile ivory. Philpot published an individual catalogue of these series, which despite its misspellings and erroneous data has provided great assistance in identifying the photographs from Budapest. Philpot's series of photographs supplied a lot of important information for the European history of photographing and collecting art treasures in the 19th century, and also contributed to the art reproduction movement of the 1850-60s. New technologies (electrotyping, photography) came to play a dominant role in the institutional development of art history, archeology and historic conservation. The network established and widened between European public and private collections, which enhanced exchange and sales of art reproductions, with the intention of serving both educative and scientific aims.

Full text online


2012

Gipsabgüsse und Antike Skulpturen
Hrsg. Charlotte Schreiter.

Villengärten der Neuzeit, die Gipsabgüsse in Goethes Weimarer Wohnhaus, das Alte Museum in Berlin oder die Abguss-Sammlungen in Wien und Dresden: traditionelle Muster der Wahrnehmung und der wissenschaftlichen Beschäftigung mit antiker Plastik beeinflussen bis heute die veränderlichen Formen ihrer Präsentation. So haben sich in unterschiedlichen Epochen und Regionen jeweils spezifische Formen der Aufstellung herausgebildet.Commande/Order/Bestellung

2011 On line publication

Temple of Angkor Vat Plaster Cast.
Michael Falser, Krishna and the Plaster Cast. Translating the Cambodian Temple of Angkor Wat in the French Colonial Period




2010

Plaster Casts. Making, Collecting and Displaying from Classical Antiquity to the Present
This volume originates from the conference of the same name, held in Oxford on 23 to 27 September 2007. 752 pages and illustrations.
Ed. by Rune Frederiksen and Eckart Marchand
Order / Bestellung / Commande : De Gruyter


This volume has been received very positively. See, until today, four reviews : Times Literary Supplement (Friday 27, May 2011), The Burlington Magazine(CLIII, july 2011, p.481), the arthist.net and the American Journal of Archaeology (AJA), 117/2 April 2013


Optional filePlaster Casts_Frederiksen, Marchand_engl

2010

Christian PACCO Sur la terre comme au ciel. La statuaire de dévotion en plâtre en Namurois 1850-1950
Namur, Musée provincial des Arts anciens du Namurois, 2010. 224 pages - Prix : 30 euros.

La statuaire de dévotion en plâtre a connu son âge d'or durant les années 1850-1950. Les grandes manufactures (Paris, Munich, ...) ont fabriqué en série des millions d'exemplaires vendus dans le monde entier. Aujourd'hui décriée, méprisée, sortie des ses contextes historique et religieux, elle disparaît petit à petit de notre environnement.
L'ouvrage s'articule sur quatre thèmes : l'analyse de la production (aspects techniques, modèles, activités des maisons namuroises Gérard et Casci, ...) ; les aspirations populaires ; la position de l'Eglise; la disgrâce.

2008

Gli ateliers degli scultori.
Gli ateliers degli scultori. Atti del secondo convegno internazionale sulle gipsoteche. Possagno 24-25 ottobre 2008. A cura di Mario Guderzo.
Ed. Fondazione Canova - Possagno / Terra Ferma, 2010. 434 p.
ISBN 978-88-6322-073-5
Commande/Order : info@terra-ferma.it / posta@museocanova.it

2008

Actes du colloque de Possagno 2006
Gipsoteche. Realtà e Storia. Atti Convegno Internazionale di Studi. Possagno, 19-20 maggio 2006, a cura di Mario Guderzo. (Quaderni del Centro Studi Canoviani / 6)Edizioni Canova. Possagno (TV) 2008. 165 pagine ed illustrazioni.
Prix : 20,00 euros. A commander Canova


2008

MONTENS Valérie, Les moulages des musées royaux d'art et d'histoire. Histoire de la collection et de l'atelier des reproductions en plâtre, Bruxelles, Musées royaux d'Art et d'Histoire, 2008, 78 p. et ills.
A commander à l'adresse du musée


2007

La collection de Bâle à Mendrisio
A cura di Simone SOLDINI e di Esaù Dozio, Le più belles statue dell'Antichità - Die Heerlichsten Statuen des Altertums. Gli antichi Greci nelle copie della Skulpturhalle di Basilea. Museo d'Arte Mendrisio, 11 novembre 2006 - 14 gennaio 2007. 130 p. ed illustrazioni

Esaù Dozio, I calchi in gesso: tra storia e realtà - Francesca Fedi: "Venerare con piacere": poeti e letterati di fronte alla scultura classica - Tomas Lochman: Ogetti di rappresentazione e strumenti di studio. Storia e significato della collezione di calchi in gesso di Basilea - Elenco dei calchi in mostra.


Daktyliotheken
Valentin Kockel - Daniel Graepler (Hrsg.), DAKTYLIOTHEKEN - Götter & Caesaren aus der Schublade; Antike Gemmen in Abdrucksammlungen des 18. und 19. Jahrhunderts
Biering & Brinkmann, 2006.(ISBN 3-930609-51-7) (Preiss : 35 euros).


2006

Collection Mengs à Dresden
Moritz Kiderlen, Die Sammlung der Gipsabgüsse von Anton Raphael Mengs in Dresden, Katalog der Abgüsse, Rekonstruktionen, Nachbildungen und Modelle aus dem römischen Nachlaß des Malers in der Skulpturensammlung, Staatliche Kunstsammlungen Dresden.
(München: Biering & Brinkmann 2006) 504 pages, ISBN 3-930609-49-5, EUR 128,-

2006

In Moskau ein kleines Albertinum bauen
Iwan Zwetajew und Georg Treu im Briefwechsel (1881-1913)
Hrsg. v. Erhard Hexelschneider, Alexander Baranov und
Tobias Burg 2006, 416 S. 75 schw.-w. Abb. 23 x 15,5, Gb
Preis: ¤ 39,90/SFr 69,40

ISBN-10 3-412-06306-1
ISBN 978-3-412-06306-1


2012

The Cast Gallery of the Ashmolean Museum. New complete and illustrate catalogue (2012)
The Cast Gallery of the Ashmolean Museum contains the premier collection of plaster casts of Greek and Roman sculpture in the UK, formed over more than a century, from 1884 to the present. The collection has recently been re-displayed and integrated with the Museum, and this book is its first complete and illustrated catalogue. It presents 1,000 casts after monuments from all over the ancient world, from 600 BC to AD 500, from small bronzes to iconic monuments such as the Laokoon and the Augustus of Prima Porta.
To be order

2012

... von gestern bis morgen ... Zur Geschichte der Berliner Gipsabguss-Sammlung(en).
Nele Schröder and Lorenz Winkler-Horacek (Hsrg.)
Rahden/Westf.: Leidorf, 2012. ISBN: 978-3--89646-068-4


Eine Ausstellung der Abguss-Sammlung Antiker Plastik des Instituts für Klassische Archäologie der Freien Universität Berlin
in Kooperation mit dem Winckelmann-Institut der Humboldt-Universität zu Berlin
und der Antikensammlung der Staatlichen Museen zu Berlin und der Gipsformerei der Staatlichen Museen zu Berlin.

Madrid, Bella Artes de San Fernando


Velázquez. Esculturas para el Alcázar

Un splendide catalogue accompagnant l'exposition présentant pour la première fois les sculptures achetées par Velázquez lors de son second voyage en Itale (1649-1651) pour décorer le palais de l'Alcázar à Madrid.
Une sélection de 76 oeuvres de l'antiquité classique ayant appartenu aux collections des Medici, Ludovisi, Borghese et surtout des pièces acquises par les papes pour la galerie du Belvedere. Une sélection de sculptures en bronze et plâtre (remarquablement restaurées) qui ont orné l' Alcázar jusqu'à l'incendie de 1734.


Format 28 x 24 cm. 536 pages et très nombreuses illustrations.
Textes : p.1 - p.348
Documents : p.349 - p.376
Catalogue : p.377 - p.526
Bibliographie et index :p.525 - 536
Prix : 50,00 euros. A commander à la R.A. de Bellas Artes de San Fernando
Calle Alcalá, 13 - 28014 Madrid - Teléfono: +34 91 524 08 64
museo.exposiciones@rabasf.org


Bolletin Real Academia de Bella Artes de San Fernando. Numeros 100-101. Edition spéciale faisant suite à la rencontre internationale tenue à Madrid en 2003 : Esculturas antiguas en yeso : Historia, conservacion y restauracion.


A COMMANDER A : Real Academi de Bellas Artes de San Fernando
Calle Alcalá, 13 - 28014 Madrid - Teléfono: +34 91 524 08 64
museo.exposiciones@rabasf.org